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Elephant
Mountain: a
seasonal perspective by
Eileen Delehanty Pearkes eileen.Pearkes@telus.net I:
Dreams of Chartreuse Silk When
a mother elephant gives birth, the
herd forms a circle to protect her while a friend coaxes the baby out, pulling
it into a protected pool of warmth. Shrouds
of pewter cloud wrap around a swollen mountain form, whispering
a green secret. The birth begins low
and rises
toward the sky until
it shouts and writhes with the full pleasure of a life. Child-season
claimed by flesh illumined
with dreams of chartreuse silk shimmering
with light. The
shroud melts away from the labouring form,growth springing from hard
limbs. Birch
catkins foam yellow-green, bundles
of larch needle brush the air and the sky lifts toward
the sun I
stand in the circle, attending a birth I had not anticipated. I
feel the internal frenzy swell and rise until it becomes a
desire too large to
hold. II.
Elephant Dust (circa 1930) for
Dawn Penniket Mother calls
down onto the street where we are playing The elephant is burning! We see flakes of
skin loosened from the mountain’s thick bones, floating on the wind. I try to grasp
them as they drift past. Later, we crowd
onto the deck of the house on Cedar Street watching flames
lick the curving back with their sharpened tongues. We gasp as burned,
broken logs roll down the trunk into the lake below Mother leans
forward toward the railing and wipes dishwater on her apron. She whispers a word
I do not understand: Apocalyptic Grandfather's
bed has been on the porch since the heat wave started several days ago. He has lain all
day and night on the mattress, sheets surrounding him like clouds. I am waiting to
die, his
sallow face says, I am waiting
to die. Cinders drift
around us while we eat supper on the porch. We dip our
fingers in the elephant skin on the railing and wipe it across our shirt
sleeves. Mother frowns
with disapproval and grandfather's bed linens grow dingy with the ash, but his eyes
brighten his face flushes
with life. We bob on the
end of the bed, knowing that he won’t shout at us to stop. Lightening
strike,
he says, his gravelled voice stirred by the flames to speak. I hear cows on
the Johnstone farm at the elephant’s feet. Their terrified
groans float across the water on the ash-choked wind. Them
cows are’s good as dead grandfather says. Unless
they can swim. At
sunset the wind shifts. Mother says Thank the Lord. Ash
swirls north, carrying flames back over the elephant’s back. We
count the spot fires glowing against darkness one,
two....three, four and
begin to wait once again for grandfather to die. five,
six....seven III.
If a Mountain Could Paint The
art historian Mia Fineman says that as painters, elephants
are masters of the rapidly executed, spontaneous gesture When
they paint, she concludes, some
elephants prefer darker, cooler colours with
brushstrokes expressing contained rage while
others like bold, clear colours, lyrical and expressive or
tertiary hues like mustardy orange in creamy, elegant applications When
I read about an art historian giving zoo elephants canvas, brush and
tempera so that she can watch them paint I
look up toward your broad back and ask myself what colours you in
particular would
choose. One
day I don't have to ask anymore: Cold
October air sweeps down from the high mountains overnight. You
have picked up a paintbrush and stroked yourself as only a wild elephant
could -- golden
ochre, saffron, copper,
burnished sunflower, gamboges. Your
work delights my eye so much that I
pick up a brush too. But I fail to match your
contained rage at the coming winter your
lyrical vision of autumn's paradox. your
undertanding of the alchemy that necessarily precedes the
creation of gold.. What
would Mia Fineman say? IV.
A Winter Affair You
thrust your weight on me forcing
the heft of this icy season against my weary passion spreading
your heavy flanks across my soul. I
scream at you to get up Light
is so precious! You
have grown lazy with the cold. You
trap me with your sloping trunk and satisfied body draped
irresistibly in the linen of snow. One
day when
the winter sky falls further, further, I
have my wish. You
disappear in a wash of fog and snow. I
begin to contemplate then how it might feel to live here without you. I
grow desperate for clear weather, when
the winter sun will illumine your beauty again, when
I will see you freshly as you are. I
admit a preference as winter wears on: immovable certainty over the weight
of your absence. I
confess to myself that I treasure the
potent measure of your broad, sunlit back, the
power of your muscled flanks of snow, the
strength of your masculine resolve imposing
a clear form upon the sky.
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